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CONCERT
JAZZ
INTERNATIONAL ARTIST CONTACTS
Non-profit Jazz
Service Organisation formed in July 2005 to support Jazz and increase its
Presence
in the Community

Jazz Guitarist
Lee
Jones :
'Swish'
Tour
Oct/Dec 08
Promotional Information for
Jazz Festivals, Jazz Clubs, Music Clubs & Theatres
Catch Lee @
Stratford
Jazz -
July 13th 2008
Swish (Lee Jones)
On the strength of a few recent impressive appearances at festivals, this young
guitarist's name is beginning to get around. Musicians in their early twenties
regularly astonish the world with their technique and Lee Jones has plenty of
that, but it is far less common to find a fully developed personal style at such
an early stage. Given the fact that he is broadly in the jazz-fusion idiom,
there are inevitably hints of George Benson, John Scofield and the like in his
playing, but far more of Lee Jones than anyone else, and a veritable flood of
original ideas. Listen out, too, for the immaculate drumming of Chris Dagley.
Dave Gelly
The CD Album "Swish" is now available from this
website
Lee
Jones
Lee Jones - Electric Guitar
Pete Parkinson - Sax &
Flute
Ben Thomas - Trumpet
Alex Steele - Keyboards
Frazer Snell or Mark Smith - Electric Bass Guitar
Zoltan Dakaney -
Double Bass
Chris 'Daggers' Dagley - Drums
Tracks
Swish
Majik
One Little Blue Note
Cookin' on Gas
Retrospective
Halfway House
Dorian Diversion
Out of the Day
Swish - (Jam Mix)
For Booking
Enquiries for Lee Jones Quintet for Jazz
Festivals, Theatre or Club Events, Corporate Events and Jazz Workshops
Contact
-
E-mail or Phone 01844 353117
Established Venue Dates are as follows:-
TBC
Interest has been shown by :-
Spice of Life - London
http://www.spiceoflifesoho.com/music.htm
Birmingham Jazz - Rush Hour Blues - CBSO
http://www.birminghamjazz.co.uk/
The Cinnamon Club, Cheshire
http://www.thecinnamonclub.net/index.htm
Scarborough Jazz
http://www.scarboroughjazz.co.uk/
South Hill Arts _ Bracknell -
http://www.southhillpark.org.uk/index.jsp
Wakefield Jazz
www.wakefieldjazz.org.uk
Mill Hill Jazz Club
www.millhilljazzclub.co.uk

Lee
Jones
was born in 1984 and started playing guitar age eight. Influences include:
George Benson, Larry Carlton, John Scofield as well as Miles Davis and Wayne
Shorter. Joined Shropshire Youth Jazz Ensemble in 2000 playing a mix of
standards and original material by band leaders John Williams and Chris Bolton.
Lee recorded five jazz/fusion tracks with WEA producer Simon Tittley in late
2001 which featured Tom Warrington, Steve Houghton and other top US session
musicians.
Lee played at Cheltenham Jazz Festival Fringe 2003/04/06 and
appeared in Jazzwise magazine in May 2004. Lee also featured in the 2005
Starbucks Birmingham International Jazz Festival and the 2007 Musicate project
"The World as One". Winner of Jazz FM’s “Best New Instrumentalist" award,
Lee is
currently studying on the BMus Jazz (Hons) course at Birmingham Conservatoire
(with guitarist Phil Robson from BBC big band) and recently completed his debut
album "Swish".
http://www.myspace.com/leejonesguitarist
Top
UK session drummer Chris Dagley
(here Aged 12) has performed with NYJO,
Ella Fitzgerald, Chaka Khan Fame Academy and BBC
Big Band.
Comments on one of his drum clinics......
Topics included practicing
efficiently, developing the internal clock, the importance of
different styles, recommended reading and the business side of the
music business, with Chris being remarkably frank about the highs
and lows of being a professional musician. As Chris was keen to point out, “everything
begins with your ability to consistently perform on your
instrument”. Heavy
rock and jazz session work is demonstrated with alarming ease and at no time did he
seem like a jazz player playing rock or visa versa, playing each
tune with bags of taste and a real mastery of the feels and sounds
associated with each style. As well as playing
session
tunes, Chris played a series of serious rudimentary exercises at
varied tempos and demonstrated their practical application to the
kit in a musical environment. At one point he performed a
disappearing trick with the click track when demonstrating how to
nail a beat to a metronome. It is obvious to see why he is a player
that is held in such high regard. Rather refreshingly, each playing
example was well considered, and presented on the premise that the
audience wished to learn something as well as be entertained.
However, the highlight of the
clinic was Chris’s one opportunity to really let loose on the kit,
playing a funk/fusion track specially written by
Richard Cottle. There’s plenty of Gadd and Weckl type licks on show
and every lightning fill landed with uncanny precision on the beat. This was
a well
presented, extremely informative and thoroughly enjoyable clinic.
I am positive that anybody who was not very familiar with
Chris Dagley’s playing, will be actively seeking
out his work in the future.
Chris Dagley is one of the most popular drummers
on the jazz and session scenes because of his solid, powerhouse
groove and boundless energy. He also has astonishing solo chops
and is famous for being able to read any piece of music at
sight.
Pete Parkinson (Sax, Flute)
Born into a musical family,
Pete was steeped in music from an early age with his Father being a musical
director; Pete was encouraged to sit in with his Father’s bands and told, "by
the time we get to the third chorus I want to hear something coming from you!".
Pete has been a professional musician for his entire career, working as MD and
sax player for many artists world-wide through the last 40 years. He has
continually sought to keep up with new concepts and contemporary sounds and this
shows in his sax playing. At times lyrical and delicate, at times abrasive and
aggressive, funky, perfectly in tune and always inspirational.
Ben
Thomas - Trumpet
Originally from Tenby
in Pembrokeshire,
Ben began playing the trumpet aged seven years old.
He studied jazz at the Welsh College Of Music And Drama where he received
tuition from influential pianist and composer Keith Tippet as well as Julie
Driscoll, Paul Dunmall, Tony Levin, Lee Goodall and Dylan Fowler plus top
trumpeters such as Henry Lowther, Andy Everton and Terence Lax, to name but a
few.
Look at the
Video Samples
Book the Artists Now!
Review of Swish Album -
Lee Jones was born in 1984
and has already picked up a Jazz FM "Best New Instrumentalist of the Year"
award. I’m not sure if he’s still currently studying for his Bmus. Jazz
degree at the Birmingham Conservatoire but this disc certainly sounds like
post-graduate work to me, however much I may personally dislike the style.
And the style is
fusion, a blend of George Benson, Larry Carlton, maybe some Pat Metheny as
well. It’s effortlessly fluent and malleable and establishes a firm groove
from the outset. Swish is the title track and it returns, rather like
the Aria of the Goldberg Variations, at the end of the disc but this time as
a jam mix – a device Bach unaccountably overlooked in his immortal
masterpiece. It opens with a funky shake down with tightly muted trumpet
(Ben Thomas) and some take-off guitar work. In Majik one finds some
nicely lyric saxophone from Pete Parkinson, equally fine piano from Alex
Steele and tight sectional work from the rhythm section. One Little Blue
Note is the expected hard bop homage whereas we’re pitched straight back
into the funkier shores of fusion with the next track,
Cookin’ on Gas.
The shifting metres and
colours of the rhythm section are at their best in something like
Retrospective where they support the appealing sax lines. Parkinson also
enlarges the range of colours of the band with his flute work on Halfway
House. There’s a good, long guitar solo from the leader on Dorian
Diversion, an academic sounding title for an otherwise over-long tune.
Lee Jones’s best playing is reserved for Out of the Day, a delightful
song made more so by virtue of his articulate single string and chordal
work. It’s the kind of playing in which he comes closest to the lyric
playing of, say, Martin Taylor.
Still, Lee Jones has
clearly found a niche early in his career and has a powerfully strong
technical basis on which to expand. Too many of these cuts are too alike,
despite the variety of instrumentation and rhythm that Jones has introduced.
But the disc as a whole is, I’m sure, a harbinger of even better things to
come.
Jonathan Woolf
http://www.leejones-guitarist.com/movs/clip1.mov
http://www.leejones-guitarist.com/movs/clip2.mov
Manouche
Guitars / Vintage Strings,
88 London Road,
Cheltenham,
Gloucestershire,
GL52 6EH. Tel: +44(0)1242 515949 Fax:
+44(0) 01242 515949
Map:
Click here
Email: Sales, Tony Walker,
John Vickers
The Lee Jones Band
Format
may be altered with additional artists who are well rehearsed from previous
UK tours and other associations.
A
Quartet, or Quintet can be formed where necessary using a combination of
Quality Artists subject to
availability such as :-
Lee
Jones - Electric Guitar
Pete Parkinson - Sax &
Flute
Alex Steele - Keyboards
Frazer Snell or Mark Smith - Electric Bass Guitar
Zoltan Dakaney - Double Bass
Chris 'Daggers' Dagley - Drums
Reviews:-
http://www.leejones-guitarist.com/pdfs/quotes.pdf
it's good stuff! I plan to
play a track on my new series starting next month on a plenty of that, but it is
far less common to find a fully developed personal style at such an early stage
Dave Gelly - The Observer
Certainly one of the most
exciting young prospects I've heard in years. With the right breaks and in the
right company he's sure to become one of the greats.
Jim Smith - Director Brecon Jazz Festival
it's good stuff! I plan to
play a track on my new series starting next month on a brand new community
station called Radio Cardiff...
Andy Roberts - DJ Jazz Connection, Cardiff
I must congratulate you on a fine piece of work, some excellent playing and good
writing
Charles Alexander - Jazzwise MD
fine effort as a debut item
and the supporting musicians are all first class. Particularly Pete Parkinson s
Flute & Soprano Sax work
A solid body of composition work and a great showcase for your talent.....I look
forward to intercepting your
performance live
Eddie Fowler -Concert Jazz,
Oxford
the emergence of a new
contemporary jazz artist in the United Kingdom is always special and one better
than most is Guitarist Lee
Jones His debut album Swish , which he has both written and arranged, is a
delightful blend of up tempo and tranquil rhythms that sound like
they might have come right out of Southern California. Denis
Poole - Smooth Jazz Therapy
beautiful playing...
Martin Taylor
Lee
Jones has the dedication and raw ability to succeed
internationally. He is an exceptional Guitarist and Jazz
Composer...
Simon Tittley - Producer 'Swish' (Simon completed producing jazz guitarist
Lee Jones' debut jazz/fusion album 'Swish' in mid-2007 and is
now working on Lee's as yet untitled second album)
Jazz Workshops:
Lee
is also keen to impart his skills to fellow
Students of Jazz and can hold Workshop/Master Class
projects in Colleges, Theatres, Studios and other suitable venues. These can
be linked up with
daytime assemblies at any of the evening Concert Venues.
Guitar Jazz Workshops provides
a platform for seasoned professionals and total beginners
alike can learn, grow and flourish together in a uniquely inspiring and
supportive environment.
One day workshop lasting 3 hours, would consist of:-
·
up and medium tempo grooves
·
contemporary jazz styles
. Improvisation
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